164,,17 Cox,,,187,,20Eventi,,,99,,Aarhus,,,68,,Albany,,,201,,Almati,,,37,,Amsterdam,,,27,,Androphyne,,,215,,Antwerp,,,35,,ARCAM,,,123,,Arne Hendriks,,,9,,Arnsberg,,,22,,Ars Electronica,,,102,,Artos Foundation,,,83,,Auckland,,,184,,Avignon,,,8,,Bamberg,,,17,,Barcelona,,,91,,Basel,,,203,,Batroun,,,71,,Beirut,,,46,,Belgrade,,,6,,Berlin,,,163,,Beverly,,,89,,Bingen,,,110,,Birmingham,,,109,,Birmingham Weekender,,,5,,Bocchignano,,,138,,Bonnieux,,,183,,Boston,,,121,,Braila,,,195,,Bratislava,,,100,,British Council,,,152,,Bruno Giliberto,,,65,,Bucharest,,,18,,Budapest,,,186,,C-Mine,,,98,,Cabaret Voltaire,,,80,,Cape Town,,,20,,Caracas,,,140,,Castel San Pietro Terme,,,131,,Chido Collectif,,,180,,Cities,,,58,,Collectivo Re-Public,,,82,,Columbus,,,135,,Conversano,,,69,,Copenhagen,,,40,,d-hub,,,51,,Darom Gallery,,,177,,Decomyplace,,,161,,Disclaimer,,,129,,Disentis/Muster,,,93,,dislocated,,,49,,DOMA Art Foundation,,,194,,Dublin,,,66,,Durham,,,197,,Düsseldorf,,,149,,Eckenfest Görlitz,,,63,,Ecole de l'Arc-en-ciel,,,56,,Europäische Oberschule,,,172,,Example.Pl,,,59,,Fano,,,41,,Festival de la Cité,,,214,,Figline Valdarno,,,208,,Föhren,,,60,,Frankfurt am Main,,,113,,Fubon Art Foundation,,,104,,Gadekunstdage,,,202,,Gansu,,,31,,Ganz Novi Festival Zagreb,,,23,,Genk,,,128,,Georgetown,,,90,,Gerda und Kuno Pieroth Stiftung,,,153,,Gilles Racine,,,132,,Glenview,,,106,,Goethe Institut,,,29,,Görlitz,,,206,,GreatYarmouth,,,207,,GreatYarmouthPreservationTrust,,,64,,Guanajuato,,,94,,Henk Holsheimer,,,77,,Hongkong,,,28,,Hossegor,,,162,,Hsinchu,,,111,,IKON Gallery Birmingham,,,33,,Imaginez Maintenant,,,200,,Incursiones,,,157,,International Art Summerschool,,,95,,Internationaler Kunstsommer Arnsberg,,,3,,Jan,,,39,,Jarmuschek+Partner,,,78,,Jinno Neko,,,87,,jojo,,,81,,Kallered,,,125,,Kaohsiung,,,190,,Karin Sander,,,191,,Kashgar,,,166,,Kaunas,,,209,,Kendal,,,171,,Kepno,,,72,,Kiev,,,79,,Kuala Lumpur,,,188,,Kunstverein Arnsberg,,,147,,La Cimade,,,52,,La Vega,,,178,,laboratorioofficinaidee,,,210,,Lakes Alive Festival,,,189,,Landesgartenschau Bamberg,,,216,,Las Palmas,,,43,,Lausanne,,,159,,Links,,,21,,Linz,,,26,,Ljubljana,,,53,,LOCUS_Colectivo,,,154,,Loic Chaussin,,,116,,London,,,74,,Madrid,,,150,,Marrakech,,,70,,Martin Jakob,,,15,,Massy,,,75,,Matadero,,,196,,Melbourne,,,130,,Mexico City,,,158,,Mission,,,176,,Modena,,,170,,Mönchengladbach,,,25,,MoTA - Museum of Transitory Art,,,86,,Nabeul,,,148,,Negrepelisse,,,142,,Neoludica,,,14,,New York,,,101,,Nicolai Juhler,,,24,,Nikosia,,,217,,NOMAMI,,,85,,NTNU,,,105,,Nuit Blanche,,,141,,Officina Estate,,,155,,Olivier Wavre,,,169,,Orvieto,,,139,,Palau Saverdera,,,10,,Paris,,,103,,Perpignan,,,57,,Pesaro,,,151,,Photographers,,,36,,Platform21,,,133,,Poitiers,,,211,,Prasat Beng Mealea,,,112,,Projet R,,,16,,Pucon,,,108,,Putty,,,45,,Quito,,,44,,Re:Re: Residence Revisited,,,136,,Reillon,,,119,,Repair Manifesto,,,198,,Riga,,,126,,Ropczyce,,,193,,San Francisco,,,174,,San Gimignano,,,175,,San Prospero,,,96,,Santiago,,,218,,Santo Domingo,,,34,,Sao Paulo,,,213,,seachange,,,61,,Seoul,,,48,,Sofia,,,185,,South Orange,,,47,,Sremski Karlovci,,,62,,St-Francois Xavier de Brompton,,,11,,St.Petersburg,,,67,,Stitch Community Art Project,,,107,,Student Center Zagreb,,,124,,Stuttgart,,,160,,Submit New Patch,,,13,,Submitted,,,38,,SWAB,,,165,,Tainan,,,114,,Taipei,,,179,,Tarragona,,,50,,Tel Aviv,,,76,,Tokyo,,,73,,Toronto,,,32,,Toulouse,,,88,,Triennale Bingen,,,204,,Tripoli,,,84,,Trondheim,,,134,,Troy,,,192,,Turfan,,,143,,Venice,,,144,,Venice,,,145,,Venice Biennal,,,115,,Very Fun Parc,,,54,,Viareggio,,,120,,Video,,,167,,Vilnius,,,168,,ViVa,,,92,,Volta Basel,,,122,,Volta NY,,,55,,Waldenburg,,,173,,Warsaw,,,137,,Wookagro,,,127,,Wuppertal,,,30,,Zagreb,,,19,,Zielona Gora,,,97,,Zürich,,,
Zolitūde, Riga
Charlotte is originally from the UK and has worked around the world since 2010. She was in Riga in 2015.
Further she writes: “I work with kids and play with PCBs with them regularly as well as teaching concepts like the Egyptian Pyramids; it was exhilarating to bring their brightness onto the streets! Although the patches did get removed, there is something beautiful about the transitoriness of the project. It also helped me accept things like the destruction of the ancient city of Tenochtitlan to make way for the cathedrals of Mexico City: the significance is that it was once there.”
